Some Darkroom Data
by M. Feuerbacher 2003.
Why all this? How the photographic process works...
Ilford Delta 100 / 400 professional at 20°C in Ilford standard developers. Detailed informations are provided on the Ilford website downloadable as pdf-file. There you find much more than I present here. However, I have added some times wich I have obtained by extrapolation. They yield negatives of normal contrast.
Delta 100 Professional 35mm, Rollfilm, Planfilm |
Delta 400 Professional
35mm |
Delta 400 Professional
Rollfilm, Planfilm |
||||||||||
EI 50 | EI 100 | EI 200 | EI 200 | EI 400 | EI 800 | EI 1600 | EI 200 | EI 400 | EI 800 | EI 1600 | ||
ID-11 | Stock | 7 | 8.5 | 10.5 | 6 | 7 | 9 | 12.5 | 6.5 | 7.5 | 10 | 14 |
1+1 | 10 | 11 | 13 | 9 | 10.5 | 12.5 | 18 | 10 | 11.5 | 14 | - | |
1+3 | 15 | 20 | - | - | 18 | 20 | - | - | 20 | - | - | |
Perceptol | Stock | 12 | 15 | - | 10 | 13 | - | - | 11 | 14.5 | - | - |
1+1 | 13 | 17 | - | 14 | 18 | - | - | 15.5 | 20 | - | - | |
1+3 | 16 | 22 | - | - | 22 | - | - | - | 24 | - | - |
Kodak TMax 100 / 400 / 3200 professional at 20°C in XTOL.
TMax 100 Professional | TMax 400 Professional | ||||||||||
EI 25/50 | EI 100 | EI 200 | EI 400 | EI 800 | EI 100/200 | EI 400 | EI 800 | EI 1600 | EI 3200 | ||
135 format | 1+1 | 8 | 9.25 | 10.25 | 12.5 | 14.5 | 8 | 8.75 | 9.5 | 10.75 | 12.5 |
1+2 | 11.5 | 12.5 | 13.75 | 15.75 | 18 | 9.5 | 10.5 | 12.25 | 13.75 | 16 | |
1+3 | 14.5 | 16 | 18.25 | 20.5 | 23 | 12.25 | 13.5 | 15 | 17 | 20 | |
120 200 format | 1+1 | 8.75 | 10 | 11 | 12.75 | 15.25 | 8 | 8.75 | 9.25 | 10.75 | 12.5 |
1+2 | 11.75 | 13 | 14.5 | 16.75 | 19 | 11 | 12.5 | 14.25 | 16.5 | 19.25 | |
1+3 | 15 | 16.75 | 18.75 | 21 | 23.5 | 13.37 | 15.5 | 17.25 | 19.5 | 22.75 |
TMax 3200 Professional | ||||||
EI 1600 | EI 3200 | EI 6400 | EI 12500 | EI 25000 | ||
135 format | 1+1 | 14 | 16.5 | 19.5 | 22.5 | 26 |
1+2 | 19 | 22 | 26.5 | - | - | |
1+3 | 23 | 27 | - | - | - |
Kodak Technical Pan at 21°C in XTOL.
Technical Pan | |||||
EI 4 | EI 8 | EI 12.5 | EI 25 | ||
135 format
|
1+2 | 6 | - | - | - |
1+3 | - | 8 | - | - | |
1+4 | - | - | 10.5 | - | |
1+5 | - | - | - | 12.5 |
Note: Although Kodak gives development instructions for Ilford films in XTOL. I strongly recommend not to try this. To my experience you get much better results if you do not mix Ilford and Kodak products.
Fixation times for films are mostly not given by the film manufacturers. Usually
they write that the film should be fixed twice the time it needs to get clear.
But how do you know how long the film needs to get clear ? You can find the
answer by a simple test. Cut off a small piece of film (it makes no difference
if it is exposed or not) and throw it into a small amount of fixer at daylight.
Then watch the occurring transparency of the film. It continuously gets clearer
until it has the same color and transparency as the film carrier. The time needed
for this process is the clearing time. Use twice this time for the fixation
of your film. It is important not to fix the film too long, since oxidation
of the silver during the fixation process reduces the image sharpness.
Below, I have listed some times for fixation in Agfa Agefix at 20 °C.
Film | time / Min |
Kodak TMax 100 | 2.5 - 3 |
Kodak TMax 400 | 3.5 |
Kodak TMax 3200 | 4.5 |
Kodak Technical Pan | 1 |
Ilford Delta 100 | 2.5 |
Ilford Delta 400 | 3.5 |
When I make prints I write down all parameters such as distance, multigrade filtering, aperture and exposure time. It is much easier not to forget some parameters if you use a fill-in form. I have made a form for my purposes, which you can download here in pdf- or winword format.
Darkroom form (pdf-format. 12kb) | Darkroom form (word-format 9kb) |